The Silver Swan is probably the most famous madrigal by Orlando Gibbons. It is scored for 5 voices (in most sources, soprano (S), alto (A), tenor (T), baritone (Bar) and bass (B), although some specify SSATB instead) and presents the legend that swans sing only just before their deaths (see swan song).
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Text
Gibbons's words for this madrigal were perhaps his own creation, though they were more likely written by his musical patron, Sir Christopher Hatton 1581-1619), who chose the texts for many of Gibbons's madrigals. (This piece may have been composed around 1611, at Hatton's home in Ely Place, in the Holborn district of London.) This madrigal's words are:
The song was first published in Gibbons's First Set of Madrigals and Motets of 5 parts (1612). (Gibbons dedicated this collection to Hatton.)
Commenting on the musical form, Philip Ledger notes that "in common with the lute-song, and unlike any true madrigal, it has two musical sections, the second one repeated, and new words are provided for this repeat".
Gibbons's last line has been taken as a comment on the demise of the English madrigal form or, more generally, on the loss of the late Elizabethan musical tradition.
Though composed as a madrigal, The Silver Swan is, in modern times, often performed as a song for chamber choir. It is also performed as a song for soprano and viol consort.
Orlando Silver Video
Other settings of the poem
The words to this madrigal have been set to music by the following composers and groups:
- Gary Bachlund (1966), for a cappella SATB chorus.
- Garth Baxter, from Three Madrigals (for voice and guitar or SATB).
- John Musto (1987), from Canzonettas for high voice or medium voice and piano.
- Ned Rorem (1949), for high voice and piano.
- Qntal (2006), on their album Qntal V: Silver Swan.
Source of the article : Wikipedia
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